美国黑人和白人结婚的比率

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                網站首頁 > 會員展銷 > 普通會員展銷 >賞鑒:清花帶蓋-蓋罐

                賞鑒:清花帶蓋-蓋罐

                焦點圖二

                弘揚那么恐怖傳統文化

                LOGO.jpg

                傳承中華文明

                此瓷器「為家中一代一代傳承下來的,器型風格是從元青花瓷器演變而來、此物品造型小巧精致包漿渾厚釉色溫潤自然是不可多的精品瓷器,青花瓷器是元代開始大量燒制,技術也趨於成頓時感覺到熟,作為青花瓷器的開端,青花在中國陶瓷史上歷史地位非常的高,而且數量稀少,該罐紋飾構圖疏朗,別出心裁。蓋面的四向分別繪以瓶蓋花苞鈕尖為中心,青花繪花苞脈弧線,外壁繪覆蓮紋一周,花瓣內填雲頭托垂珠紋    青花發色青翠,積料處有結晶斑,釉質肥厚光潤,釉色白中閃青。

                官網1.jpg

                蓋直徑:約12.6cm/上徑:約11.8cm/底徑:約8.6cm/帶蓋高14.5cm

                Cover diameter: about 12.6cm/up diameter: about 11.8cm/bottom diameter: about 8.6cm/cover height 14.5cm

                This kind of porcelain is passed down from generation to generation in the family. Its style is evolved from the blue and white porcelain of the Yuan Dynasty. It is small and exquisite in shape, thick in slurry and warm in glaze. It is a rare fine porcelain. Blue and white porcelain began to be fired in a large number in the Yuan Dynasty, and its technology tends to be mature. As the beginning of blue and white porcelain, blue and white porcelain has a very high historical position in the history of Chinese ceramics, and its quantity is rare The design of the jar is sparse and unique. The four directions of the cap surface are respectively painted with the top of the bud button of the cap as the center, the veins of the bud are painted in blue and white, the outer wall is painted with lotus pattern, the petals are filled with cloud head to support the bead pattern, the blue and white hair color is green, there are crystal spots on the deposit, the enamel is thick and glossy, and the glaze color is white.

                官網2.jpg

                蓋直徑:約12.6cm/上徑:約11.8cm/底徑:約8.6cm/帶蓋高14.5cm

                Cover diameter: about 12.6cm/up diameter: about 11.8cm/bottom diameter: about 8.6cm/cover height 14.5cm

                青花瓷,又稱此時白地青花瓷,常簡稱青花,是中國瓷器的主流品種之一,屬釉下彩瓷。青花瓷是用含氧化鈷的鈷礦為原料,在陶瓷坯體上描Ψ 繪紋飾,再罩上一層透明釉,經高溫還原焰一次燒成。鈷料燒成後呈藍色,具有著色⊙力強、發色鮮艷、燒成率高、呈色穩定的特點。原始青花瓷於唐宋已見端倪,成熟的青花瓷則出現在元代景德鎮棘手了的湖田窯。明代青花成為瓷器的主流。清康熙時醉無情發展到了頂峰。明清時期,還創燒了青花五彩、孔雀綠釉青花、豆青釉青花、青花紅彩、黃地青花、哥釉青花等衍生品種。

                官網3.jpg

                蓋直徑:約12.6cm/上徑:約11.8cm/底徑:約8.6cm/帶蓋高14.5cm

                Cover diameter: about 12.6cm/up diameter: about 11.8cm/bottom diameter: about 8.6cm/cover height 14.5cm

                Blue and white porcelain, also known as Baidi blue and white porcelain, often referred to as blue and white, is one of the mainstream varieties of Chinese porcelain and belongs to underglaze colored porcelain. Blue and white porcelain uses cobalt ore containing cobalt oxide as raw material. The ceramic body is decorated with a layer of transparent glaze, and it is fired in a high-temperature reducing flame. The cobalt material is blue after being fired, and has the characteristics of strong tinting power, bright color, high firing rate and stable color. The original blue-and-white porcelain appeared in the Tang and Song dynasties, and the mature blue-and-white porcelain appeared in the Hutian kiln of Jingdezhen in the Yuan Dynasty. Blue and white in Ming Dynasty became the mainstream of porcelain. It reached its peak during the Kangxi period of the Qing Dynasty. During the Ming and Qing Dynasties, derivative varieties such as blue and white multicolored, malachite green glaze blue and white, bean green glaze blue and white, blue and white red color, yellow ground blue and white, and Ge glaze blue and white were created.

                官網4.jpg

                蓋直徑:約12.6cm/上徑:約11.8cm/底徑:約8.6cm/帶蓋高14.5cm

                Cover diameter: about 12.6cm/up diameter: about 11.8cm/bottom diameter: about 8.6cm/cover height 14.5cm

                此器型較少,主要有爐、觚、瓶、大小盤、碗、罐等。胎體總的來說較粗糙,大器如爐、大盤、觚等胎體厚重,小器如小盤、碗等胎體則較輕薄。但也有個別器物胎質細膩、致密的,可見糯米狀。底釉多白中閃青,有的▆還略顯泛灰,釉層稀薄。青花料應是浙料和石子青兩種並用,致使發色有的青翠、有的青藍。其中爐的青花發色多顯青翠,其它器物的發色多顯①灰藍。紋飾多見花鳥、山水、洞石、秋草、江上小舟、怪獸、瑞獸、芭蕉、雲氣等。大盤喜歡在口沿處畫一青花線圈,再在圈內畫主體紋飾;小盤多在盤面一側畫一片梧桐葉,另一側書“梧桐一葉落,天下盡皆秋”等相近的詩句。瓶、觚、罐等大器也喜歡好聽用青花線作紋飾的分隔。畫法以勾勒、平塗、渲染、線描相結合。繪畫筆調隨意,器形工整,嚴謹、細致的作風。畫面布局較豐滿,尤其是大盤、罐、瓶、觚等類器物。開始出現皴法和濃淡色階的變化,但尚不成熟。瓶、觚等多平砂底。盤、碗、罐等底部多見縮釉點,底足粘砂較常見。碗的底部多跳□刀痕。民窯器多、官窯器少,而且有年款的器物甚少。

                There are few types of this vessel, mainly including furnace, goblets, bottles, large and small plates, bowls, pots, etc. Generally speaking, the carcass is rough, the carcass of large objects such as furnace, large plate, and goblets is thick and heavy, and the carcass of small objects such as small plate and bowl is lighter and thinner. However, there are also individual artifacts that are delicate and dense, showing the shape of glutinous rice. The base glaze is mostly white and shining blue, and some are slightly grayish, with a thin glaze layer. The blue and white materials should be two kinds of zhe materials and Shiziqing, resulting in some green hair color, some blue. The blue and white hair color of the furnace is mostly green, and the hair color of other utensils is mostly grayish blue. The ornamentation is more common in flowers and birds, landscapes, travertines, autumn grasses, small boats on the river, monsters, auspicious beasts, bananas, clouds and so on. The large plate likes to draw a blue and white circle on the edge of the mouth, and then paint the main decoration inside the circle; the small plate usually draws a sycamore leaf on one side of the plate, and the other side is a similar poem such as "A sycamore leaf falls, the world is full of autumn". Bottles, goblets, cans and other large objects also like to use blue and white thread as the separation of decorations. The painting method combines outline, flat painting, rendering and line drawing. The painting strokes are random, the shapes are neat, and the style is rigorous and meticulous. The layout of the screen is fuller, especially for large plates, cans, bottles, goblets and other objects. Beginning of changes in the method and shades of color, but it is not yet mature. Bottles, goblets, etc. have many flat sand bottoms. Glaze spots are often seen on the bottom of plates, bowls, jars, etc., and sticky sand on the bottom is common. The bottom of the bowl has many knife marks. There are many folk kiln wares, but official kiln wares are few, and there are very few wares with new years.

                官網5.jpg

                蓋直徑:約12.6cm/上徑:約11.8cm/底徑:約8.6cm/帶蓋高14.5cm

                Cover diameter: about 12.6cm/up diameter: about 11.8cm/bottom diameter: about 8.6cm/cover height 14.5cm

                此藏品放於中國泉州閩古通今,可議價交易買賣,本公司承諾此藏品類別器型版本稀有且珍貴,流通量朝和小唯沖了過去極少,此藏品整體外觀品相保存完好,有極具收藏投資價值、市場價值、文化價值、經濟價值、研究價值,升值空間較大,具有良好抵抗通貨膨脹的能↓力,歡迎蒞臨本單位洽談購買。

                咨詢熱線:0595-8207 5752

                公眾號:閩古通今

                官方網站:http://mingutongjin.com/

                We promise that this collection is rare and precious, and has very little circulation. The whole appearance of the collection is well preserved. It has great investment value, market value, cultural value, economic value, large room for appreciation, and has good ability to resist inflation. Welcome to our unit to purchase.

                Hotline :0595-8207 5752 

                Public name: Min Gu Tong Jin 

                Official website: http://mingutongjin.com

                鑒於藝術品行業的特殊性,客戶購買7日內,如對此藝術品存疑,可在期限內提供相關證明並且在』物品進行交割離開公司前話進行退換,買家在提取物品時,必須當場清點驗收,物品一經提取離開公司後,本公司概不負責,僅提供此藝術品後期的維護和推薦服務

                In view of the particularity of the art industry, if customers have doubts about the art within 7 days, they can provide relevant certificates within the time limit and return the goods before they are delivered and left the company. The buyer must check and accept the items on the spot. Once the items are removed from the company, the company is not responsible for providing only later maintenance and recommendation services。

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                微信號 : 閩古通今